20 October 2009

Eye. Meet beholder.



I ran past the National Library at lunchtime today. It’s big, or seems big for a three-story building, and a lot of people thinks it’s big and ugly. I don’t. I’m one of its apologists, being something of a fan of the brutal in our buildings.

But something else struck me as I ran past: my three-year-old son still thinks I work there. I haven’t done for over a year now and I’ve pointed out to him the drab office block on The Terrace in which I now work. But he’s got an eye for architecture, or that’s what I tell myself, and just won’t believe that I work in a nondescript building. For him, it’s the National Library or bust.

Not that I'm advocating all cultural institutions be judged by toddlers: when I said to my dad once how I'd grown to love Te Papa since having a child to take there, he opined that that was hardly a ringing endorsement...

But there must be something in the fact that the Library sticks so firmly in the mind of a three-year-old, some kind of strength of purpose visible in the structure, and that’s worth retaining.

Image source: from the organisation record for the National Library of New Zealand — Te Puna Mātauranga o Aotearoa at the New Zealand Electronic Text Centre

09 September 2009

Art, media, rubbish


I missed the news last night for the usual reasons – helping with dinner, bathing the boy, avoiding the box lest we end up eating dinner on our knees – but couldn’t help notice something was up in the Art World (capital A and W) when I check Twitter later in the evening.

The story speaks for itself and 3news’s headline sums up the typically good and bad opinions of our media to an art story. It’s about losers and their complaints, yes, but as for the ‘rubbish’; you can’t quite tell whether they’re being literal – the thing is made of rubbish – or opinionated – do they think it’s rubbish?

What I found entertaining was a side dialogue on Twitter. First this comment from @CherylBernstein to @auchmill says so much about arts coverage in New Zealand: “When Art Hits The Headlines II: A Slow Day in the Media.” @circa1969 chipped in by pointing us in the direction of the Artist’s websites.

Circa1969’s lack of commentary spoke volumes, to which CherylBernstein nicely rounded out the story: “Fish in a barrel.

31 July 2009

Whakapapa


This is one of my favourite photos of my parents. I've got others, one in the back of a taxi after getting married, another of mum in her early twenties that sits on the microwave and keeps an eye on me in the kitchen. Those are all taken before they left for Oxford. According to my sister dad said to mum: Come with me now or lose me forever. She went, leaving her nursing training behind. I wish now I'd asked her whether the story was true. This picture though is on the way to England, on that long slow boat trip that took them through the canal at Panama. This is Panama and they've stopped long enough to wander round the city and stop in for a beer. Their close friend Pat Wilson is on the left; the photographer is unknown.

Through my mother I can follow my New Zealand roots back to my great great grandfather, John Octavius Batchelar, and to a great grandfather whose name I can't recall, other than the surname Nielsen. The former arrived in Wanganui around 1870 before ending up in Palmerston North running the Royal Hotel. Making money there meant he could buy land, precious land, on the banks of the Manawatu. Not one of the great early settlers; but good enough to be part of the Wellington-Manawatu rail company that effectively killed Foxton when the main trunk line came though Palmerston rather than Foxton. And good enough for the research centre that sits on his old land near Massey University to be named after him.

On the other side, my unnamed great grandfather came out with the Norwegian settlers who cleared the bush on the other side of the ranges. Of all things for a Norwegian to be, he was the Methodist minister at Norsewood. His tenure came to an end when his church joined with the wider New Zealand Methodist church. He was told to preach to his Norwegian congregation in English, a language many of them couldn't understand. Family lore goes that he went slowly mad living just outside Palmerston North somewhere on Napier Road.

My grandma, Elsie Mary Laurenson, mum's mother, was born to one of the eldest of John Octavius' daughters and was only a few years younger than some of her uncles. Growing up in Thorndon, Wellington, around the time of the 1913 waterfront strike, she was under strict instructions not to acknowledge her uncles should she see them in the streets as members of Massey's cossacks. I'd like to say this was anti-cossack sentiments on the part of her parents, but no, it was pure self-preservation and fear of worker reprisals.

Her marriage to David Marcus Isaiah Nielsen was his second. She was a dead-ringer for her dead predecessor. Unknown to Elsie, David carried a photo of his first wife in his wallet until he died, when she found it. Not unusual, I've heard, for a man to re-marry a similar looking woman but it was too much for his son from the first marriage: committed, never seen again.

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The photo sits unframed on the bookshelf. Dad, with pipe, is in shorts; that may be the reason they’re in a bar and not a restaurant. But they’re young and happy, on the way to a new life in an old country, drinking beer in the hot equator city, sharing time with a friend they’ll never lose. Feilding, Danniverke, Wellington, Te Kuiti, Christchurch – small towns of birth and upbringing, entering the world – behind them at least for now.

06 July 2009

Oh, Mother

It was two buses across town every Sunday afternoon, delivering the daughter, her husband, and their two young boys to her parent's house in St Albans. Her father, a clerk of works, had inspected their house in Hoon Hay, deemed it worth buying. Disaster, financial, ensued when the foundations sank in the soft soil. A young couple, two kids and more on the way, and a sunken house.

Not like the house in St Albans. Two hours every week visiting that house (neat as a pin, and the garden, everything in its place). Not a place for two young boys, two hours a week. Two buses home, the daughter chastised no doubt, made to feel her faults, the son-in-law his shortcomings, and the boys – their boisterousness frowned.

Before her first child, another country, an older city, she sang in the choir at St Mary’s on the High Street. I'd go there some lunchtimes, years later, and light a candle or two, burning thoughts of life and death. It was high enough for candles. She sang Bach’s Mass in B Minor in the Bach Choir, unnerved by the other singers’ choral training and sight-reading.

It was in Christchurch they joined the Church. You know, the Church. Incense, candles, even a pope. In part it was the fashion – Baxter had gone that way. But in part it was some sort of statement about those trips across town every Sunday, the cold Methodism of both their parents.

30 June 2009

Newspapers on speed



In case you haven’t heard and/or noticed, Papers Past has recently been updated with new titles and all existing titles have been fully digitised and are now searchable. What's more, it’s also heaps (heaps I say) faster.

Included in the new titles is NZ Truth up to 1930, making it the most recent newspaper they have. Tacky as it seems, it's one of those muck-raking papers that broke news in spite of itself. And as a muck-raker it'll provide a rich source for social history.

The new titles are:
Ashburton Guardian
Ellesmere Guardian
Kai Tiaki: the Journal of the Nurses of New Zealand
North Otago Times
NZ Truth
Otautau Standard and Wallace County Chronicle
Oxford Observer
Poverty Bay Herald
Victoria Times
Waikato Times

There's more information at the National Library website. A wonderful resource just got even better.

29 June 2009

Are we there yet?

I was in Auckland last week for the Future of the Book conference at the Hyatt. In some ways I was surprised the lack of digital awareness (the intermittent internet access was a suitable metaphor), but then that was the point of the conference: to get publishers thinking beyond the printed book. It's clear there's plenty to think so what follows are some of my main impressions from the two days. (Apologies in advance for the length and note-form of much of this.)

Key themes

Flux – the whole situation is in flux and will remain so for at least the foreseeable future; some formats, devices and channels will become established while others perish; ultimately, the sooner publishers start to digitize, engage and experiment the better.

Experiment – there are plenty of options for how books can exist in a digital world so it’s worth experimenting with as many formats as possible. (And let’s not forget that many can and will continue to exist as printed books.)

Digitize – the first step has to be getting books (and more generally content) into re-usable digital formats; publishers can only do so much with content held in proprietary formats so moving to some form of XML soon will be a huge advantage.

Engage – the hardest thing will be thinking beyond simply turning printed books into ebooks; publishers must engage with the content and the potential formats so they can match the content to the best format.

A few oddities

Ebooks – any suggestion of a dichotomy between printed books and ebooks was roundly rejected by conference attendees. Ebooks are only one non-print format and many other models exist or need to be investigated. What’s important is that the reader’s experience is as valuable and immersive as the format allows. Current ebook formats and devices work well enough for the relatively limited types of books available (plain text, typically romance or throwaway pulp fiction) but more complex books (highly illustrated, extensively indexed and referenced, or regularly updated) need a more complex treatment. Further, publishers need to plan for a permanently connected future where books exist in a network of hypertext, images, video and audio content, lookup and reference tools, geo-coding, etc.

Devices – there are currently plenty of dedicated e-reading devices on the market, but unfortunately for New Zealand that market only exists overseas. (Amazon’s Kindle, for example, is only available in the States, while it’s been reported a few times that Sony have no plans to release their e-reader in New Zealand.) Sounds like bad news unless you listen to Sherman Young who argues that, rather than convincing readers to buy a dedicated e-reading device, publishers should instead piggy-back off the success of ubiquitous devices like iPhones and Blackberrys. As phones in general become more sophisticated and uptake grows, the average person will start to take advantage of the phone’s e-reading capabilities. And publishers can take advantage of that.

Readers – not the e-reading devices but those human users of books a.k.a. readers. It’d be unfair to say readers weren’t mentioned at all but then they weren’t exactly front and centre either. Perhaps that’s usual with publishers. They know readers are out there but publishers never really have to deal directly with them – booksellers and librarians tend to do that for them. At one point someone mentioned user-generated content but that was a lone voice and I’m not sure NZ publishers are yet engaged with the thought of readers becoming users and contributors. The thinking is still pretty much push rather than pull. Whether that thinking should change is something publishers need to have a view on.

Things worth keeping an eye on

There was talk of a digital warehouse for selling New Zealand ebooks, which Infogrid Pacific are looking to develop. (Infogrid are also big advocates of using XHTML in preference to bespoke XML – probably worth watching that develop too.)

1000 Great NZ Books – sounds exciting and publishers can submit their books to the list with the form here.

Buzzword, from Adobe – online collaborative authoring tool with native e-pub backend. It's currently in beta, though you need to sign-up for a proper look.

Two projects from the New Zealand Digital Library at Waikato University:
Wikipedia Miner – analyses Wikipedia content and includes a service, Wikify, that scans text and adds links to relevant Wikipedia articles (and even disambiguates!)
Realistic Books – page turning format; over the top or useful for a high-quality one-off/special project?

03 June 2009

Grandparents

I never met Dad’s father, Granddad. He was the second man in Feilding to sign up for the first world war. The first – his best mate – died at Gallipoli. He survived that, and the rest of the war, through perhaps luck and poor health. The latter saw him convalescing in Cornwall where he met my nana and proposed. Beguiled by the uniform she accepted: a middle class lass from Truro, daughter of a shopkeeper no less, marrying a farm labourer from Fraddon near Indian Queens.

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Dad is the youngest of three: a sister five years his senior, and a brother (late) two or three years older. Nana sent them all to school with homemade pasties, sometimes meat but usually fruit, apple. Baked fresh. They were the envy of the school. There’d be a sandwich and cake too, all wrapped in paper then (and it made my dad cringe) bundled up in a checked cloth. She knew how things should be.

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At the end of the war, Granddad joined the march into Cologne to start the rebuilding process, one of the few to see the start and end of the Great War.